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Coralie Trinh Thi

Also known as: Carolie - Cora Lee - Corale - Coralie - Coralie Gengenback More info on her aliases

Coralie Trinh Thi alias list

Carolie
Cora Lee
Corale
Coralie
Coralie Gengenback
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Coralie Trinh Thi Biography

Personal

Age: 48 years young
Born: Thursday 4th of November 1976
Years active: 1994-2002 (started around 18 years old; 8 years active)
Birthplace: France
Nationality: (Vietnamese), (French)
Professions: Actress, Porn Star (former)
Sexuality: Bisexual

Body

Hair color: Black
Eye color: Brown
Height: 5'7" (or 170 cm)
Weight: 120 lbs (or 54 kg)
Body type: Slim
Measurements: 34C-24-35
Bra/cup size: 34C show conversions
Boobs: Real/Natural
Pubic hair: Trimmed/Triangle/Landing Strip

Performances

Girl/girl: Kissing, Boob Touching, Boob Licking, Fingering, Dildo, Oral
Boy/girl: Blowjob, Vaginal, Anal, Double Penetration, Creampie, Interracial, Facial
Special: Gangbang

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About Coralie Trinh Thi

Coralie Trinh Thi, born Christelle Gengenbach on April 11, 1976, in Paris, France, grew up in a middle-class family with Vietnamese heritage through her maternal grandmother, whose maiden name she adopted. Raised by her mother in various Parisian suburbs due to frequent moves, her father, a Hells Angel, was largely absent, per Wikipedia (fr.wikipedia.org). After high school, she worked as a secretary before entering the adult film industry in 1994 at age 18, debuting in Insatiables Salopes by John Love and gaining prominence in The Tower 3 (1995), per fr.wikipedia.org. Using aliases like Coralie, Cora Li, and Coralie Gengenbach, she appeared in approximately 60 films between 1994 and 2000, working with studios like Marc Dorcel, Private, and Blue One. Notable films include La Princesse et la Pute (1996), Paris Chic (1997), and Baise-moi (2000), a controversial mainstream film she co-directed and co-wrote with Virginie Despentes, featuring unsimulated sex scenes, per en.wikipedia.org. Her performances, particularly in anal and group scenes, were noted for their intensity, per IAFD.

Coralie collaborated with performers like Karen Lancaume, Raffaëla Anderson, and Ian Scott. She won the 1996 Hot d’Or for Best European Actress for La Princesse et la Pute and the 1995 Hot d’Or for Best French Actress, receiving a Hot d’Or Honorary Award in 2009, per en.wikipedia.org. She also acted in non-pornographic films like To Have (or Not) (1995) and the Gaspar Noé-directed short Sodomites (1998), a safe-sex promo, per IMDb. Transitioning to writing, she authored Betty Monde (2002), an autobiographical novel La Voie Humide: Une Œuvre au Rouge (2007), and sex guides like Osez la sodomie (2007) and Osez le cunnilingus (2009) for La Musardine. She wrote a comic, Deep Inside Punish Yourself (2004), inspired by the metal band’s song “Holy Trinh Thi,” and has been a rock critic for Rock & Folk since 2000, per fr.wikipedia.org. Physically, she stands at 5’5”, with dark hair, brown eyes, and a 34B-24-34 figure, with no tattoos, piercings, or surgeries noted, per Babepedia. She is not active on OnlyFans.

Fans praised her as “a stunning brunette with raw passion,” noting her “captivating” performance in La Princesse et la Pute (2023 comment: “Coralie’s elegance is timeless,” user: frenchfilmfan). A 2024 X post called her “a 90s icon whose Baise-moi role broke boundaries” (@CinephileX). Wikiporno (2009) described her as “a dynamic performer who shone in group scenes.” Director Virginie Despentes, in a 2000 Libération interview, said, “Coralie’s authenticity and vision made Baise-moi a bold statement.” The Rialto Report lauded her “transition from porn to provocative art,” cementing her as a multifaceted figure in French cinema.

Controversies include the 2001 French censorship of Baise-moi due to its explicit content, sparking debates on art versus pornography; Coralie rejected the “feminist” label, preferring “anti-sexist,” per fr.wikipedia.org. Her net worth is not publicly estimated. She has no confirmed relationships or children and maintains a private personal life. As of July 17, 2025, Coralie, now 49, lives in France, focusing on writing and music journalism, with no recent adult industry activity. Her films, particularly Baise-moi, remain discussed in adult and art-house cinema circles.

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