Kikko (Pornstar)

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Kikko (Pornstar) Biography

Personal

Age: 63 years old
Born: Thursday 7th of February 1963
Years active: 1974-1975 (1 year active)
Birthplace: California, United States
Nationality: (American)
Ethnicity: Asian
Professions: Porn Star
Sexuality: Straight

Body

Hair color: Black
Eye color: Brown
Height: 5'2" (or 157 cm)
Weight: 109 lbs (or 49 kg)
Body type: Average
Measurements: 34-26-34
Bra/cup size: 32DD show conversions
Boobs: Real/Natural

Performances

Solo: Nudity (Full), Masturbation
Boy/girl: Blowjob, Vaginal

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About Kikko (Pornstar)

Kikko, a Japanese-American adult film performer of the mid-1970s Golden Age of Porn, debuted around 1974 in Alex de Renzy's The Pleasure Masters: Kikko & Lil, portraying a seductive Japanese housemaid named Kyoto in explicit threesome scenes with Joey Silvera and Valerie Franklin, involving oral sex, vaginal penetration, and lesbian play amid a tense master-servant dynamic. With scant biographical details on her ethnicity beyond Asian roots, education, or pre-industry jobs—likely entering via modeling or dancing circuits in San Francisco—she appeared in a handful of films over 1974–1975, including Femmes de Sade (1976) with Linda Wong and John Leslie in BDSM-tinged orgies featuring anal and group acts, and compilations like Asian Sluts in the 1970s and Best of Alex de Renzy. Known for her erotic intensity in ethnic fetish narratives, Kikko's lithe 5-foot-2 frame, estimated 34-26-34 measurements, natural D-cup breasts, long black hair, almond eyes, and smooth olive skin were lauded in retrospectives on sites like AllClassic.porn for her "incredibly sensual" presence, particularly her full lips and responsive pussy in close-up sequences, with no tattoos, piercings, or surgeries noted.

Kikko's on-screen sexuality emphasized enthusiastic heterosexual and bisexual encounters without documented off-screen relationships or controversies, aligning with the era's unregulated scene; income likely ranged $200–$500 per scene, totaling under $5,000 for her brief output in low-budget loops. No magazine shoots, mainstream roles, or social media are recorded, limiting her to niche archival porn. She retired by the late 1970s amid industry shifts to video, leaving a cult legacy as an underutilized "exotic beauty" in de Renzy's suspenseful vignettes, preserved in DVDs like Pleasure Masters for vintage enthusiasts—fans on Adult DVD Talk praise her "playful eroticism" in troilism, while no colleague quotes exist; current status remains unknown.

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