Cindy Wong

Also known as: Candy Wong - China Wong - Chino Kong - Maggie More info on her aliases

Cindy Wong alias list

Candy Wong
China Wong
Chino Kong
Maggie
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Cindy Wong Biography

Personal

Age: 68 years old
Born: Friday 9th of May 1958
Years active: 1978-1985 (started around 20 years old; 7 years active)
Birthplace: New York, United States
Nationality: (American)
Ethnicity: Asian
Professions: Adult Model, Porn Star
Sexuality: Bisexual

Body

Hair color: Black
Eye color: Brown
Height: 5'4" (or 162 cm) (Petite)
Weight: 109 lbs (or 49 kg)
Body type: Slim
Bra/cup size: B
Boobs: Real/Natural

Performances

Solo: Nudity (Full), Masturbation
Girl/girl: Kissing, Boob Touching, Boob Licking, Fingering, Dildo, Oral
Boy/girl: Blowjob, Vaginal, Anal

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About Cindy Wong

Candy Wong, also known professionally as Cindy Wong, China Wong, Chino Kong, and Maggie, was an adult film actress of Asian descent. She was born in New York City. She worked as a prostitute and performed sex shows at NYC adult movie theaters. She first appeared in films around 1978, possibly drawn into the industry during the era's boom in erotic cinema. Her use of multiple stage names reflected common practices in the adult film world to maintain privacy or appeal to niche audiences, with "Candy Wong" and "Cindy Wong" being the most frequently cited.

Her adult career spanned from 1978 to 1985, during which she appeared in at least nine known films, focusing primarily on explicit heterosexual and lesbian scenes. She worked with studios such as VCA, Video Home Library, Lipstik Video, Vista Video, Golden Age Media, Caballero Home Video, and VCX, often in productions emphasizing Asian-themed erotica. Notable movies include Chopstix (1979), Oui, Girls (1982), Every Man's Fantasy (1983), Too Much Too Soon (1983), Girlfriends Of Candy Wong (1984), Oriental Temptations (1984), Video Girls (1985), and Yes My Lady (1982), with Girlfriends Of Candy Wong standing out as a title centered on her persona. She was known for performing in a variety of sexual acts, including oral sex, vaginal penetration, and group encounters, often portrayed with an exotic, submissive allure that catered to fantasies of Asian sensuality in vintage porn. Frequent co-stars are not well-documented in available sources, though she appeared alongside performers like Mauvais De Noir, Rita Erotica, and Lili Marlene in films such as Girlfriends Of Candy Wong.

Physically, Candy Wong was described in limited archival profiles as a petite Asian woman with an alluring, exotic appeal, though exact measurements remain unknown from verified sources, with no details on height (potentially around 5 feet 4 inches based on film appearances) or other specifics like breast size or body alterations. Speculation about surgeries is absent, and there are no reports of tattoos or piercings. Fans and media from the time cited her sex appeal in terms of her smooth skin, dark hair, almond-shaped eyes, full lips, toned legs, and curvaceous ass, often praising her "tight pussy" and enthusiastic on-screen energy that made her a standout in ethnic-themed erotica, though these observations stem from niche adult forums and lack formal citations.

No major controversies, confirmed details on her sexuality (beyond on-screen heterosexual and bisexual roles), relationships, or income estimates are available from public records, suggesting a low-profile personal life during her active years. Quotes from media sites or fans are sparse, but one vintage review noted her as "a sweet treat in the Oriental fantasy genre, with moves that drive viewers wild," while a fan comment from an old forum highlighted "what I loved most was her exotic eyes and the way she handled every scene with raw passion."

Candy Wong retired from adult content around 1985 at age 27. Her legacy remains niche, remembered as a pioneer in Asian representation in early American porn, contributing to the diversification of erotic films during the golden age. No quotes from actual colleagues are readily available, and there are no current updates on her activities, with her post-retirement life undocumented in public sources.

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